The political hot-potato in terms of writing at the moment is independent writing. We have decided the tackle this subject head on by producing a mini-series of blog posts about how we have managed to create a writing community within our classroom which allows children to write independently every day.
We will cover all sorts of strategies we use to allow children to write high-quality assessed pieces independently. Some of them we have already discussed and you can find them here:
Continue reading “How To Have Children Writing Independent ‘Assessable’ Pieces Every Day.”
The goal of literary work (of literature as work) is to make the reader no longer a consumer, but a producer of text (Barthes 1975, cited by Rosen 1985, p.385)
This article is written with the intention to inform and provide reflection. With the Book Trust’s ‘The Write Book‘ research summary coming out in March – we were excited to see what it concluded.
We have entitled our article after the saying that: you give a man a fish and he’ll eat for a day – teach a man to fish and he will eat for a lifetime. That is what we have tried to achieve through our own approach to the idea of traditional ‘Book Planning’ or ‘Novel Study’.
Continue reading “Give A Class ‘One’ Book To Write Through And You’ve Taught Them For A Day. Teach Them How To Use ‘Any’ Book And You’ve Taught Them For A Lifetime.”
This is just a quick post to say that Power English: Writing is coming out soon!
Power English: Writing is an exciting new approach to teaching writing. It’s been written by me and my colleague Ross Young.
If you’re curious to see what it’s all about, you can now download a free sample here.
We’ve spent the best part of five years developing this approach and we are really excited to see it finally come out!
Continue reading “Power English: Writing. Download Our Free Sample Pack”
Hi dear Writing For Pleasure friends!
This is just a quick post to share the CPD review from our UKLA Writing For Pleasure conference. It was created by the wonderful writer-teacher Sadie Phillips. You can find Sadie on Twitter @SadiePhillips
Sadie also has a blog at: https://literacywithmissp.wordpress.com/
Click on the image below to download her review as a PDF
Continue reading “Writing For Pleasure CPD Review”
When I was ten and a new pupil at secondary school, I wrote my first set homework assignment for R.E. – a recount of the one of the seven plagues of Egypt. After a few days my book came back with the comment (in a mean little script written in red pen): Is this all your own work? Mortified, because it was my own work and I’d written it like a story, with my usual enthusiasm and emotional investment, I approached the teacher on the pretext that I hadn’t been able to read her comment. “Well,” came the reply, “it was so vivid.” I said I had written it myself, but I could see she didn’t believe me. To this day I still feel the injury to my early strong sense of myself as a writer, and the need I had to own and assert my talent, though of course in those days, when the teacher was the ultimate authority figure, it didn’t make any difference to her judgment.
Continue reading “How you might teach greater depth writers.”
Having read Back & Forth: Using An Editor’s Mindset To Improve Student Writing by Lee Heffernan, I was inspired to create a class publishing house in my own classroom. This is a recount of how I went about it.
We are now about half way through the academic year and the children are settling into the idea that they can of publish personal writing projects into the class library. Writing is being undertaken at home and is also making its way into the class library. Children are increasingly talking about writing and are writing collaboratively too. Confidence has been built and a sense of writer-identity has been established. The children are beginning to believe they are writers and that they have many things to say and share with each other.
Continue reading “Writing For Pleasure Practice: Creating Class Publishing Houses”
Michael is right when he says the government and the DfE should have spoken to practitioners like us. Phil and I, for example, are both in the very fortunate position of being applied linguists, teachers and two people who know about writing pedagogy.
Our passion for our work has resulted in our producing materials which we would argue begin to address the idea of teaching ‘knowledge about language.’ Our Real-World Literacy approach is built around the idea that children imitate, investigate, play and repeatedly practise writing and writerly behaviour alongside direct instruction from a sympathetic writer-teacher. We also agree that this kind of ‘knowledge about language’ teaching is helping and always has helped children to write well.
Continue reading “Response to: How ‘knowledge about language’ for schools could be so much better, by Michael Rosen”